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We knew we were barreling towards an ending, because we knew from the start the show would run seven or eight years. We know we have to have a season every year, pretty much. And for us, we can’t say we’re going to stop and figure things out for a couple years. Everything has to be planned out really far in advance.
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For us as TV writer-producers, we have to be architects.
He had some great stuff that he could share with us, like the Hodor thing, but a lot of it, he wasn’t sure yet, because he was writing, and he discovers things by writing.
WEISS: It was when we were getting the track that the Hold Steady did, their studio version of “The Bear and the Maiden Fair.” It was between season 2 and season 3.īENIOFF: That’s when we started talking to George and he was giving us a sense of things he was working on that were to come, that’s when he told us about the Hodor backstory, and endgame stuff. WEISS: When did we meet with George in Santa Fe?īENIOFF: It was before season 3 wasn’t it? WEISS: That’s true - we did 7, we sort of planned 7 and 8 together in a way, and we focused more on 7, but as we were focusing on 7, we were putting stuff into place for 8 as well.ĭid you know in season 2 where the story was going to end up? But the actual writing process, when did we start doing the outlines?īENIOFF: I don’t know, because we started going over it back when we were shooting season 7. You could go back to season 2 and some of these ideas started to come out. So a lot of the pieces have been put on the board years ago. WEISS: It’s hard to say with this one especially, because so much of the endgame is stuff that we’ve been discussing for at least four or five years, if not longer. How long does the writing process usually take? The final season of Game of Thrones will release on DVD, Blu-Ray and 4K on December 2, 2019.Ahead of the seventh season premiere on July 16, here’s an edited transcript of our conversation: Today, the news broke that the pair was stepping away from their proposed Star Wars trilogy, citing scheduling issues. In the wake of Game of Thrones ending (and breaking records for Emmy nominations), Benioff and Weiss signed an enormous deal with Netflix, effectively killing off their next show with HBO. Not everything revealed in the thread is negative, though - the pair talked about how working with the same crew over a long period led to everyone improving, and discussed a few successfully subversive moments from the show's run. Benioff and Weiss also acknowledged avoiding fan reactions and feedback. The thread continues on with several similar revelations, including the fact that the pair tried to write every episode because "(they) didn't know better" and that they intentionally removed fantasy elements to appeal to a wider audience. He also admits that, while filming an extra 100 minutes of scenes to bolster first season episodes that were running short, they realized that they'd made several episodes without Robert and Cersei Lannister ever sharing a scene, despite the characters being married.
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Weiss described Game of Thrones as "expensive film school" for himself and Benioff, both of whom reckoned with their inexperience when it became clear that they had "no idea how to work with costume designers".
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Similarly, Weiss says that the pilot they made for HBO was full of "basic writing mistakes", but that the show likely went forward into production because of foreign pre-sales.
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He admitted that the two of them "don’t know why he trusted us with his life’s work" (Martin, for his part, has said that he feels free since the series ended). Martin, they realized that they didn't actually have any experience working in television. Weiss explained how, in their first meetings with series creator George R.R. #GameOfThrones - Needle & Pen October 26, 2019 At 3PM David Benioff and D.B Weiss #DnD started a session at the #AustinFilmFestival, I am a little late, but will live tweet as soon as I get there.